Episode Seventy-One: Lighting a Set

May 11, 2011 by cindy  
Filed under episodes

For obvious reasons, lights are some of the most important elements on a film set. Without light, you wouldn’t see what’s in the picture and without the picture, you wouldn’t have a movie! The lighting department is filled with many peculiar sounding crew member titles like best boy, grip and even a griptrician (what you get when you cross a grip with an electrician). Chris Lewis joins us to talk about motivating his department on set and the proper etiquette for running a well-oiled G&E team.

Chris T. Lewis- Lighting Designer, Chief Lighting Technician

Chris started his career in the entertainment industry in 1982 while living in Phoenix, Arizona. He got his basic training by working with a Phoenix corporate and trades production company and learned all the basics of production from the beginning of design concept stages to the end of deep storage wrap. They had a small staff and everyone was cross trained with a hands on approach. Chris then moved to Page, Arizona where he worked on commercials and videos being shot at Lake Powell including the Sports Illustrated 25th Anniversary Swimsuit Video and his first feature film Highway to Hell.

In 1992 he was offered a position on Babylon 5 and he made the decision to move to Los Angeles, California, to work full time in the electrical department. Since then Chris has moved up through the electrical ranks and is now a successful Lighting Designer and Chief Lighting Tech. He owns his own business, Corsair Lighting, which rents electrical equipment.

Chris also stays up to date with his US Passport, is Padi Certified, and Dan Insured. He’s worked all over the world including Africa, Costa Rica, and Prague. He is local to Los Angeles, CA and Kaneohe, Oahu. Currently (2011), Chris is still employed as a Lighting Designer and Chief Lighting Technician.

He has just finished Season 14 on The Ultimate Fighter television series and has upcoming underwater projects being shot at Fantasy II Film Effects in Los Angeles.

Written by: Christina Christensen Lewis

Corsair Website
Chris’ Facebook page

Lynda Lopez- Producer

Lynda Lopez started her career in film as a Production Designer working on student films with friends from art school where she was a Graphic Design major. She then went on to assist some very talented Production Designers on studio films while still working in various capacities on short films and indie films. Due to her fascination for all aspects of filmmaking, she has become more involved with the Production side of things working as a Director’s Assistant and Producer.

Lynda is currently working on a charity project for All Hands Volunteers, a non-profit organization that provides hands-on assistance to survivors of natural disasters around the world. For more information about Lynda’s project to help this organization please visit Film Method’s Facebook page.

For more information on All Hands Volunteers visit their website at http://hands.org/

Jenna Edwards- Producer

Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.

Soon after Edwards moved to Los Angeles she was hired by agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process. Before long she had moved from talent agencies to working in casting with such industry leaders as; Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Superbad, The Office).

During this time Edwards was also able to gain valuable production experience working with studios like Disney, MTV, FOX and CBS.

After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers and has since successfully produced 4 feature films as well as co-hosting the Film Method podcast and teaching producing classes at New York Film Academy.

After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they produced the first ever made-for-internet movie, In the Darkness, which premiered on Hulu.com. Mattoid has recently made the leap to distribution, where they have acquired three feature documentaries to be released in 2011.  The first, Adopting Haiti premiered as the #1 documentary on Hulu.com.

Aside from continuing to work at Mattoid, Jenna is busy working on budgets for several independent films, producing 2 feature films and developing projects for television as well as teaching producing at New York Film Academy.

Producing Sunflowers Website

Burbank International Film Festival


One Comment on "Episode Seventy-One: Lighting a Set"

  1. FILM METHOD PODCAST Episode 71 « on Wed, 11th May 2011 9:53 am 

    [...] Our 71st episode of the Film Method Podcast is up and it’s all about lighting a set.  I have a good friend who is a gaffer and he always says “if you don’t notice the lights then I’ve done my job well”.  I believe this is true about every job in film.  Listen, learn and love…here [...]

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