Q: When dealing with distribution, is it smarter to try to find a “post-house” before you start your project?
Q: When dealing with distribution, is it smarter to try to find a “post-house” before you start your project? Or is it more common to get a deal after you’ve finished the film?
Stuart S., New Holland Pennsylvania
I am a big believer in planning. Therefore, I would interview your editor as one of the first crew members you want to bring on the project. They are going to be able to give you great script notes and you will be able to plan a post-production schedule with their input, which they will appreciate. Whether you have a large enough budget to go to a “post-house” or you have to piece your crew together individually (which some people prefer), get quotes and interview that post house/individuals in pre-production. If you can, bring on a post-production supervisor as they will be able to help you figure out what your work-flow should be on-set in order to make post run more smoothly. If you do not have a lot of funds for post-production, then you will need to do even more planning so make sure you are thinking of post-production early on during pre-production. It will save you time and money in the end, not to mention making everyone’s life easier. Remember, post-production is one of the most costly parts of making a film and good post can make or break your project so please budget accordingly.