Episode Ninety-Nine: Signing Off

June 21, 2012 by cindy  
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Photo by Ashley Ruskiewicz

Join Cindy Freeman and Jenna Edwards for the last Film Method episode. It’s been an incredible run these past few years as they’ve covered everything from raising money for your film to hiring crew members, running an efficient set, marketing your movie, and much much more. After 99+ episodes it’s time to sign off.


Cindy Freeman – Host/Producer

Cindy Freeman moved to Los Angeles from San Diego in 2009 to pursue a career in the film industry. Upon her arrival in LA she immediately began working with producer Jenna Edwards to create behind-the-scenes content for Jenna’s feature film April Showers. Cindy also directed the behind-the-scenes content creation for Jenna’s film In the Darkness. It was while Cindy was working with Jenna that she was inspired to create the Film Method podcast.

Cindy has worked on a number of independent films as a production assistant and 2nd A.D while in Los Angeles and in July of 2010 she began working at Dreamworks Animation as a production coordinator.

Prior to moving to LA she produced a travel documentary, See Girl Go and a short film, Drips through her production company Soonami Productions.

To contact Cindy you can write to her at info@film-method.com.

Jenna Edwards- Co-Host/Producing Advisor

Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.

Soon after Edwards moved to Los Angeles she was hired by Agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (JonasPepper Dennis) and Allison Jones (Super Bad, The Office). During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire SlayerMalcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.

After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. After her success with April Showers, Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they made, In the Darkness, the first narrative feature to ever premiere on Hulu.com.  Most recently Edwards made her way back to Nebraska, where she shot April Showers, to team up with some new filmmakers on a comedy film called Trunk’d.

To contact Jenna you can write to her at info@film-method.com.

Episode Ninety-Eight: Film Music

January 25, 2012 by cindy  
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Background Image: Pixomar / FreeDigitalPhotos.net

We return to the topic of music in film once again with London based composer Ram Khatabakhsh. Ram discusses his passion for composing music for film and working as a composer for independent film. We also spend a fair amount of time talking about his beloved Casio keyboard.

Ram Khatabakhsh- Composer

Ram started playing the keyboard at the age of six – just to figure out the melody of his favourite songs and themes. His parents bought him a small Casio keyboard at the time. He continued to play on his keyboard as a hobby after school hours and learned to play his favourite songs by ear. By age of 11, he was attending private piano and music lessons and exploring multiple musical genres. At the age of 15, Ram began to compose his own music and was instantly captivated by this. His passion for film music was apparent from the early days. He attended Kingston University in London where he obtained his degree in music composition. In November 2008 Ram was commissioned to write orchestral music and had his music performed by Kingston Chamber Orchestra in public concert.  In June 2008 Ram had his music played and work shopped at Royal Academy of Music in London where he worked along side the conductor Christopher Austin and composer Philip Cashian. In November 2007 Ram’s music was performed in the South Bank Centre as part of the PLG Group season. Ram’s music is highly motivated by film music, as this is the greatest goal in his career. He has been working as a freelance composer for several feature film projects and has written music for number of online advertisements and commercials and short films.

Ram currently directs a music production company (Motion Sound Production) based at Pinewood Studios (UK) where he collaborates with directors and producers and works with a number of talented musicians and engineers.

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Episode Ninety-Six: Producing Animation

January 11, 2012 by cindy  
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Abstract Block Background Image: Michal Marcol / FreeDigitalPhotos.net

Producing animated content is a much different process than producing live action. The concept of creating a whole world is the same, but in CG animation, every aspect of the production is created in a computer. The process is vast and very fascinating. Join us as we speak to animation producer, Ellen Coss about her experience in the world of CG art and animation.

Ellen Coss- Producer

Ellen Coss is a 25 year veteran in computer generated imagery, starting her career at the seminal Digital Productions.

In the 1980s feature films were not using computer imagery, but theme park attractions were.  Ellen spent 2 years at Universal Studios as the production manager of the film for Florida’s Universal Park Attraction “The Funtastic World of Hanna Barbera”. The film, a motion based race through three of Hanna Barbera’s cartoon worlds employed computer backgrounds and 2D characters, optically composited.  This was one of the first projects to combine 2D and 3D animation.

Ellen then joined Rhythm & Hues as a producer for theme park attraction films such as Seafari, which won first place at Imagina that year.  She later became the Executive Producer of the theme park division and was responsible for bringing in multi-million dollar projects to the studio.

As many of the projects she worked on became creative milestones in the industry, Disney Feature Animation brought her in to produce their theme park attraction films.  Magic Lamp, employed exaggerated squash and stretch techniques common in 2D but not common in cg, and Mickey’s Philharmagic, a stereoscopic film which took nine of Disney’s beloved 2D characters and created them in 3D.  It is currently playing at the Magic Kingdom in Orlando and is the number one audience rated attraction.

Ellen then joined Dreamworks, as a Production Executive, where she worked for a year on various studio initiatives.  Subsequently she was the Associate Producer on the feature film Over the Hedge, released in 2006.  Hedge was heralded by Jeffrey Katzenberg as the smoothest running production ever at Dreamworks Animation.  During a second stint at Dreamworks, Ellen produced the Kung Fu Panda Holiday Special, which aired on NBC and Secrets of the Masters, which was the companion DVD to Kung Fu Panda 2.

Seeing that overseas production was the wave of the future Ellen headed to Prana Studios, a 325 person animation studio with offices in Mumbai India and Los Angeles. As Head of Production Ellen contributed with her years of production pipeline experience as well as her new role as a voice in the process of the company developing their own I.P.  Prana is currently producing, as a 1/3 ownership partner, three direct to DVD features entitled Unstable Fables being distributed in 2008 by TWC.  Under Ellen’s direction all pre-production including script writing, storyboarding and visual development occurred in Los Angeles, with physical production currently taking place in India.

Ellen then got a call to produce The Tortoise and the Hippo at Walden Media with John Dykstra directing.  She developed the project for 7 months until it was put on hold because of the writer’s strike.

Ellen then provided producing consulting services for the animated feature Arthur Christmas an Aardman Animation film to be distributed by Sony.

Ellen’s reputation in the industry is one of an excellent executer, and a nurturing manager, as well as a supporter and contributor to the creative vision of all projects.  Her goal on every project is to produce an excellent creative product, on time and on budget and to have the people associated with the project feel that it was one of the best working experiences in their career.

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Episode Ninety-Four: Editing Film

November 23, 2011 by cindy  
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There’s a saying that when you make a movie you actually make three movies by 1) writing the screenplay 2) shooting the movie and 3) editing the film. The editor of a film can serve as one of the primary storytellers of your movie and therefore is a critical role to cast when hiring your crew. Editor Karl Hirsch joins us to talk about workflow, the technical aspects of editing, and collaboration.

Karl Hirsch- Editor

Karl Hirsch is an award-winning picture editor, post-production supervisor, and trailer producer/editor. His boutique post-production company, HirschFilm, opened in 2003.

Karl has worked on films such as For the Love of Money (James Caan, Oded Fehr, Edward Furlong, Delphine Chaneac), Officer Down (Sherilyn Fenn, Casper Van Dien), Fist of the Warrior (Ho-Sung Pak, Peter Greene, Michael Dorn), The Third Wish (Betty White, Jenna Mattison, Armand Assante), Frame of Mind (Chris Noth, Tony LoBianco, Barbara Barrie).  His films have been released by Lionsgate, Echo Bridge Entertainment, Phase-4 Films, Freestyle Media, Lifetime Television, Movieola, FunnyOrDie.com, Mini-Movie Channel, and Warner Brothers Video-On-Demand.

Other editing and post-production credits include Stuart Gordon’s King of the Ants, starring Daniel Baldwin and Kari Wuhrer; Paul Carafotes’ Club Soda, starring James Gandolfini, Joe Mantegna and Louis Gossett Jr.; bio-fuel documentary feature Gashole: Killer Movie, starring Kaley Cuoco and Paul Walker; The Tub, starring Melora Hardin and Dedee Pfeiffer; and HBO Films’ If These Walls Could Talk 2.

Karl has also produced and edited hundreds of trailers, promos and sizzle reels.  Recent work includes Lasse Hallström’s Hachi: A Dog’s Story, starring Richard Gere; 2nd Take, starring Sarah Jones and Tom Everett Scott; theatrical advertisements for the documentary screening series Something to Talk About; Smother (Liv Tyler & Diane Keaton) for Inferno and Variance Films; Jim Isaac’s action/thriller Pig Hunt; and promotional material for The Grammy Awards.  He has also produced sizzle reels for musical acts Il Divo, Bowling For Soup, and Good Charlotte.  Karl was nominated for a Golden Trailer Award in 2002, and was a Telly Award winner in 2008 and 2010.  The short thriller Clown was awarded “Best Editing” by the International Sci-Fi and Horror Film Festival in October 2005.

Karl is also a producer of English dubs of foreign-language features.  Credits include Gen (Turkey), Wolfhound (Russia), and the animated features Goat Story (Czech Republic) and Space Dogs 3D (Russia). Karl’s client roster includes Inferno Entertainment, Epic Pictures, The Recording Academy (The Grammys), Yahoo!, KidZania, Octagon Worldwide, Brainstorm Media, Siegel+Gale, Helio/Virgin Mobile, Future Engine, THINKFilm, VMI Worldwide, and Cutler Enterprises.  He was featured in Paul Osborne’s documentary feature Official Rejection, and in Kim Adelman’s book The Ultimate Filmmaker’s Guide to Making Short Films. He has guest-lectured at Scottsdale Community College in Arizona, Film Independent in Los Angeles, and has spoken on film festival panels in Victoria BC, Austin, and Phoenix.

Karl and his wife Lauren have written three monster movies together, made a short film about hiccups, and are currently producing a series of childrens radio plays.

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Episode Eighty-Nine: The Sound Edit

October 19, 2011 by cindy  
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You may have heard it said that sound can make or break a film and wondering how that could be possible. More than likely you’ve seen a low budget movie and known that something wasn’t quite right, but you couldn’t put your finger on it. Chances are, the sound was shotty. Shaun Burdick joins us to discuss the different jobs of a sound editor on small and large scale movies.


Shaun Burdick- Sound Editor

Shaun Burdick is a Los Angeles based Sound Designer. A graduate of the Savannah College of Art and Design’s MFA program, he got his start working on Jamil Walker Smith’s directorial debut Make a Movie Like Spike… as the film’s Dialogue Editor. For the past ten years he has leant his talents as a designer and mixer to various theatrical productions and independent films around the country.  His most recent credits have included Re-recording Mixer on the independent documentary Empty Hand: The Real Karate Kids, Sound Designer for The Night Shift, TV pilot Jalama Beach, Mother’s Red Dress, Of Silence and additional audio design on the video game Supremacy MMA. In February 2011 he was nominated for the MPSE Verna Field Award for his sound design work on the short film En Route. Currently Shaun is serving as the Sound Designer/Re-Recording Mixer for the independent feature 29000 Wishes. 1 Regret.

www.burdicksound.com

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Episode Eighty-Eight: Selling Your Film

October 12, 2011 by cindy  
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Many people have lofty dreams of making their own film “masterpiece”. It’s a nobel pursuit to throw caution to the wind, forget all the naysayers, and make your movie the way you want to do it. That is of course unless you have investors that are expecting to be paid back. Join us as we talk to ex-sales agent and founder of The Film Collaborative, Orly Ravid, to hear about her experience that led her to create this fabulous organization whose tag line is “Filmmakers First”.

Orly Ravid- Founder of The Film Collaborative (TFC)

Orly is a 12-year industry veteran whose experience in film ranges from festival programming to acquisitions &  domestic licensing and distribution, as well as business affairs, foreign sales, and digital distribution. In 1998, Orly joined veteran boutique foreign sales company Amazing Movies & Highland Crest Pictures and launched the company’s Art House domestic distribution label.

Orly then joined Maxmedia, producers of Chen Kaige’s Cannes Selection Emperor and the Assassin and the Miramax/Dimension release The Others starring Nicole Kidman. At Maxmedia Ravid worked in production and development and created FilmFixx, the company’s domestic distribution arm that launched with the highly controversial film Baise Moi. Orly subsequently consulted for various independent distributors and filmmakers under her own label, Ravid Film Consulting. In 2004 Orly launched Wolfe Releasing’s foreign sales, theatrical, and digital distribution arms and handled its acquisitions and business affairs.

In 2010 Orly founded The Film Collaborative (TFC), the first non-profit organization devoted to the distribution-education and the distribution of art house and documentary cinema. The Film Collaborative since its launch has worked with over 100 filmmakers.  It has consulted on distribution for films such as Sundance Winners GasLand and Contracorriente (Undertow), Revenge of the Electric Car (Tribeca), SXSW Winner Weekend, to name just a few.  TFC specializes in splitting rights and helping filmmakers navigate digital distribution, and it created the first ever Digital Distribution Guide (TM) utilized by filmmakers and industry alike.  TFC was commissioned to write a report on the topic for uniFRANCE to help its sales agents to navigate new media and has advised Sundance on its new “artists services” digital distribution initiative. TFC is releasing a book about distribution entitled Selling Your Film Without Selling Your Soul that will be available in multiple digital formats and in paperback as of September 19, 2011.

From 2007 -2009 Orly served as VP of Acquisitions and Distribution of publicly traded Berlin-based Senator Entertainment. Orly regularly moderates or speaks on panels at Sundance and other film festivals regarding new technology and digital distribution. Orly served as a Programming Associate for documentaries at the Sundance Film Festival and as Programming Consultant for Palm Springs International. Orly has served on the Board of Directors of Outfest Los Angeles Film Festival. Orly earned a B.A in English Literature and Film Studies at Columbia University and graduated with honors.

The Film Collaborative Website

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Episode Eighty-Six: Wrapping Up Production

September 28, 2011 by cindy  
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For our last episode of our season about production we bring back the lovely and talented producer and author Eve Light Honthaner. Eve has worked in numerous production offices in the span of multiple years that she’s worked in this industry. We discuss the end of principal photography and transitioning into post-production.

Eve Light Honthaner- Producer/Author/Teacher

Eve’s career in the entertainment industry spans many years, primarily in the field of production management.  She’s worked in every capacity from PA to line producer and as a staff production executive, most recently for DreamWorks.  She’s worked on shows budgeted anywhere from $1 – $250 million and on projects that have been shot throughout the U.S. and internationally, including Titanic, Just Married and Tropic Thunder.

Eve is the author of The Complete Film Production Handbook and HOLLYWOOD DRIVE: What it Takes to Break in, Hang in & Make it in the Entertainment Industry.  And since 1998, she’s combined her many years of practical experience with a love of teaching to help others succeed in this fiercely competitive business.

In addition to the six-week course she teaches at USC’s School of Cinematic Arts each summer, schedule permitting, she does one- and two-day workshops throughout the country.

Eve’s Website- http://evehonthaner.com

Film Method Hosts

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Film Method Extravaganza!

September 7, 2011 by cindy  
Filed under news

September 7, 2011

This is an exciting week for Film Method! We’ve got tons of new stuff for you including a new episode with director Varda Hardy, new photos from our latest photo shoot, contests and more! A new feature, Writing Method with Aydrea Walden starts this week as well. Poke around the website- we’ve got some new images and new features that you won’t want to miss!

Film Method’s Support from Start to Finish feature focuses on Varda Hardy’s Kickstarter campaign for her musical documentary Big Voice this month.

The contest to win Eve Light Honthaner’s book The Complete Film Production Handbook starts this week as well as the race to get 1,000 Facebook followers. The 1,000th follower will win a 2 hour consult with co-host and producing advisor Jenna Edwards!

Be sure to follow us on Facebook and Twitter and tell your friends about us, too!

Episode Seventy-Seven: Director-Actor Relationship

June 22, 2011 by cindy  
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The relationship between the director and actor in any medium is a very special one. Trust is of the utmost importance and when established early on can give the actor a freedom to explore and create in such a way that can help serve the story and the film. Chasing Eagle Rock is veteran TV and film actor Erick Avari’s directing debut. He also stars in the indie film opposite Michael Welch of Twilight fame. Producer Larry Laboe also joins us to talk about the film.

Erick Avari- Director-Producer

During his 30 years as an actor, Erick Avari has consistently turned in finely crafted performances, from grand opera to soap opera, with stops on and Off Broadway, in regional theaters, in some of the highest grossing films in the past two decades, on hit television series and in award-winning independent films.

Avari is instantly recognizable from his roles in blockbuster films ranging from the comedic Mr. Deeds, opposite Adam Sandler; to sci fi epics such as The Mummy, with Rachel Weisz and Brandon Fraser; Stargate, with Kurt Russell and James Spader; Independence Day, starring Will Smith, and Daredevil, as Jennifer Garner’s father. He has also lent his talents to critically acclaimed dramatic roles in film festival favorites American East, with Tony Shalhoub; Dark Matter, starring Meryl Streep; Three Days of Rain, with Peter Falk and Blythe Danner; and Choose Conner, with Steven Weber.

Since his Hollywood debut in Kevin Reynold’s The Beast of War, he has been fortunate to work with some of the most honored film directors of the time, including Mike Nichols, Tim Burton, Lasse Hallström and Satyajit Ray.

Born in Darjeeling, India, Avari attended European boarding schools before attending university in the US. He launched a distinguished career on the New York stage that included leading roles in “A Midsummer Night’s Dream,” (directed by Tony winner A.J. Antoon), “Tis Pity She’s a Whore” (directed by Mabou Mines founder Joanne Akalaitis) and “A Map of the World” (written and directed by David Hare) at the Joseph Papp Public Theater, as well as the classic musical “The King and I” on Broadway.

He has appeared at some of the country’s most prestigious regional theaters, including the Tyrone Guthrie Theater in Minneapolis, the Goodman Theater in Chicago and Shakespeare and Company in the Berkshiers, and played leading roles in Mozart’s “Abduction from the Seraglio” at the Portland Grand Opera, and in “Rasputin” at New York City Opera.

Among his scores of television roles are Chandra Suresh on NBC’s breakout hit series “Heroes,” as well as recurring roles on LA Dragnet, Stargate SG-1 and Felicity. Avari’s recent television appearances also include Dirty Sexy Money, opposite Peter Krause and Law and Order: Criminal Intent.

Versatile, dedicated and dynamic, Avari has been a trailblazer for a generation of South Asian actors in Hollywood. In his fight against stereotypical casting, he has played more than two dozen different ethnicities with authority and believability.
Chasing Eagle Rock marks Avari’s Directorial debut.

Chasing Eagle Rock on Facebook

Michael Welch- Actor

At 23, Michael Welch has worked in every aspect of the entertainment business including film, television, voice-over, and stage. Michael is the recipient of two Young Artist Awards.  First for his performance in Star Trek – Insurrection at age 10, and the second for his work as Luke Girardi on the hit television series Joan of Arcadia, which ran for two seasons on CBS.  Welch won best actor at the 2011 First Glance Film Festival in Hollywood for his portrayal of a troubled young man in Unrequited.

Michael completed filming The Twilight Saga: Breaking Dawn recently, the fourth in the series of best-selling novels by Stephenie Meyer. He has enjoyed wide exposure for his role as the popular Mike Newton in the Twilight series and much acclaim from within the industry and his many fans.

In the last few years, Welch demonstrates his intense depth and commitment to his craft by assuming challenging roles as the leading man.  Independent films such as Born Bad, Unrequited and Lost Dream are just some examples. In  Chasing Eagle Rock, Michael plays the role of J.R opposite Erick Avari.  Welch can be seen in award-winning festival favorites such as My Suicide, An American Crime, United States of Leland, American Son, All the Boys Love Mandy Lane, and The Cover-up.

Welch is familiar to television audiences for his many starring roles on Emmy Award-winning shows, most recently Criminal Minds and Bones.   During the past few years he appeared on CSI, an arch on The Riches, CSI: Miami, Numb3rs, Law & Order: SVU, Crossing Jordan, NCIS, Cold Case, and Without a Trace. His earlier years included performances on Stargate SG-1, Judging Amy, The District, Touched by an Angel, Malcolm in the Middle, The X-Files, The Pretender, 7th Heaven, Chicago Hope, and Frasier.

In spite of his busy schedule, it is essential to Michael to give back. He received the 2005 Star Innovative Award for environmental causes and has been active with the charity Kids With a Cause since 1999.  During 2010, Welch was invited to Germany by the USO for their first educational tour for young people. Recently, Welch was Co-Chair for Walk on The Horizon, an event to raise awareness and resources for adults with disabilities.  Just last year, Michael created the $5.00 Buck Club for The Thirst Project.  His goal was to prove to young people that $5.00 can make a difference.  He raised $20,000 and is looking forward to going to South Africa, Kruger National Park and Swaziland with The Thirst Project in December, 2011.

Michael on Twitter

Larry Laboe- Producer

Larry Laboe began producing film, television, commercials and new media projects with international production and distribution company SXM. His first network series was NBC’s ‘Ctrl’ starring Tony Hale and Steve Howey. Mr. Laboe more recently began work as a producer on Comedy Central’s series Matumbo Goldberg starring Anthony Anderson, Jenna Elfman and Oscar Nominee Michael Lerner, Directed by Oscar nominated Rob Pearlstein and NBC’s FCU: Fact Checkers Unit starring Pauley Perrette, Luke Perry, Jon Heder, Donald Faison, Alex Trebeck and more. Mr. Laboe also produced two series, Disney Kitchen Jam and Diagnosis Stories for Disney Interactive and the feature film Chasing Eagle Rock starring Erick Avari, Michael Welch and Mary-Margaret Humes.

In 2007 Mr. Laboe co-founded the non-profit 501(c) 3 organization NewFilmmakers Los Angeles with partner and Program Director Susie Kim. In an effort to bring opportunity to independent filmmakers, film goers and entertainment industry professionals in Los Angeles, Mr. Laboe works as Executive Director of the group and coordinates NFMLA film screenings on a monthly basis, along with an on-camera filmmaker interview series distributed by MovieMaker Magazine.

Jenna Edwards- Producer, Film Method Co-Host

For more information about Jenna Edwards please visit the About page.

Producing Sunflowers Website
Burbank International Film Fest

Episode Seventy-Four: Costume Designing for Film

June 1, 2011 by cindy  
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Susan Nininger started out in the field of fine art creating sculpted ceramic pieces and then realized that she liked “sculpting costumes”. Her big break was in the 90′s when she was given the job costuming Kevin Costner and Whitney Houston in The Bodyguard. Susan talks to us about working on that film and she also shares with us exactly what her union says she’s allowed to do as a costume designer. We also learn about some other tasks of the costume department and about what it takes to organize the clothes for a film.

Susan Nininger- Costume Designer

Susan Nininger was raised in the Northeast ‐ Connecticut, Boston, and New York. She began her studies as a Fine Art Student at Rhode Island School of Design. By the time she received her Masters Degree in Seattle in 1976, her work was incorporating a variety of materials ‐sculpted ceramic pieces, found objects and fabrics‐and she, and others, were wearing her ‘Costume Sculpture’. The body of sculptural work that Susan produced during the late 70′s in Seattle displayed a unique and imaginative use of mixed materials, as well as a strong sense of storytelling. Some of the pieces she produced during this time were not wearable, however, they were always about Costume ‐ evoking her deep rooted interest in not only the physicality of garments chosen as costume, but also in the Storytelling Ideas that go into the development of character through Costume Design. She received Scholarship Awards and Grants during this time from the National Endowment for the Arts and other prestigious organizations. Her work was exhibited in both galleries and museums, nationally.

Susan made the transition from working as a Studio Artist to designing Costumes for Stage and Moving Pictures in the late 70′s.  Collaborations with Performance Artists and Choreographers in Seattle, lead to being invited to design costumes for several Stage Productions. Finding that designing costumes fit perfectly with her passion for storytelling, she made the choice to pursue a career as a Costume Designer, and moved to Los Angeles in 1981. Susan’s range of work as a Costume Designer, to date, includes Costume Design for Feature Films, Television, Theatre, and Music Videos. She is perhaps most well known for her Costume Design for The Bodyguard with Whitney Houston and Kevin Costner. She has designed for, and collaborated with, award winning Commercial Directors, and continues to maintain a high profile as an imaginative and prolific Costume Designer. With a continued  interest in Education within the field of Costume Design, Susan is a member of the faculty at the Fashion Institute of Design and Merchandising in  downtown Los Angeles, where she teaches in the Film & TV Costume Design Program.  She is a member of the Costume Designers Guild, and served on the CDG Board of Directors from 2005‐2010.

Susan is based in Los Angeles, where she lives with her son.

If you’re looking for a costume designer for your film, please contact Maril Delly at the Fashion Institute of Design and Merchandising. Maril’s email address is mdelly@fidm.edu.

Lynda Lopez- Producer

Lynda Lopez started her career in film as a Production Designer working on student films with friends from art school where she was a Graphic Design major. She then went on to assist some very talented Production Designers on studio films while still working in various capacities on short films and indie films. Due to her fascination for all aspects of filmmaking, she has become more involved with the Production side of things working as a Director’s Assistant and Producer.

Lynda is currently working on a charity project for All Hands Volunteers, a non-profit organization that provides hands-on assistance to survivors of natural disasters around the world. For more information about Lynda’s project to help this organization please visit Film Method’s Facebook page.

For more information on All Hands Volunteers visit their website at http://hands.org/

Jenna Edwards- Producer, Film Method Co-Host

For more information about Jenna Edwards please visit the About page.

Producing Sunflowers Website
Burbank International Film Fest

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