Episode Eighty-Four: The Union Show

September 14, 2011 by cindy  
Filed under episodes

To go union or not to go union. That is the question. Line producer Mark Moran and production coordinator Molly Moran bring their expertise from working on numerous film projects in their 10+ years of being in the film industry to discuss all of the film unions including SAG, IATSE, Teamsters, DGA and the WGA. Their knowledge of working with unions is vast and impressive.

Mark Moran- Line Producer

Mark Moran has helped create a wide range of studio and independent movies, including 96 Minutes (Brittany Snow), Beautiful Boy (Maria Bello), 13 (Jason Statham), Spread (Ashton Kutcher), Pretty Bird (Paul Giamatti), Walk the Talk (Cary Elwes), Bee Season (Richard Gere), Basic (John Travolta), Secretary (Maggie Gyllenhaal), Sweet Home Alabama (Reese Witherspoon), and Novocaine (Steve Martin). He has produced features shooting all over the U.S. as well as in Canada and Eastern Europe.

Mark is a member of the Producer’s Guild of America and the Directors Guild of America. He has produced short films, web series, music videos, and commercials, as well as the PBS documentary Chavez Ravine: A Los Angeles Story, which won the IDA Award for Best Short Documentary and was short-listed for an Academy Award in 2005.

Prior to all this, Mark started a software company at age 17, launching him on a successful career designing and programming computer games in San Francisco, where he received a patent for a CGI process combining filmed live action with computer animation.

Mark graduated summa cum laude from Columbia University with a degree in literature & writing.

Mark Moran’s Website

Molly Moran- Production Coordinator and Accountant

Molly Moran is a film production coordinator and accountant. She began her career in 2004 working on indie features in New York, Connecticut, and New Hampshire. She then spent two years working for famed producer Barbara DeFina, who encouraged her to focus on production office work as the best training for producing. This led to her spending a year working on the Will Smith movie I Am Legend. In 2007, she moved to Los Angeles and has since coordinated features shooting in Georgia, Louisiana, and California.

Episode Sixty-Nine: Producing Challenges Big Budgets Vs. Small

April 27, 2011 by cindy  
Filed under episodes

Having unlimited resources at your disposal while making a movie doesn’t mean that you’ll make a great movie, but it sure helps. What luxuries do you have on a larger budget production? What must you sacrifice to make a smaller budget work? Producer Scott Fort joins us to discuss what it’s like to make features ranging from half a million dollars to 5 million dollars. In this episode we also kick off our new feature Support: From Start to Finish, in which we’ll highlight a different crowd funding campaign every month. Steve Everson joins us this month to talk about the Indigogo campaign for his film A Midsummer Nightmare.

Scott Fort- Producer


Robert Scott Fort has been a working professional in the film industry for over 20 years.  During the first stage of his career, Mr. Fort worked as a Director of Development at Walt Disney Studios for Stuart Gordon, the director of RE-ANIMATOR, developing projects such as DYNOTOPIA, AMERICAN PSYCHO and the sequel to HONEY I SHRUNK THE KIDS.  He also worked with Indie film producer David Lancaster on various Showtime projects, and later with writer/producer, Jim Kouf, also at Walt Disney Studios.

Mr. Fort began working in physical production as a Production Coordinator and Production Manager for Full Moon Pictures, where he supervised over 25 low budget horror films.  From there Mr. Fort worked on numerous television pilots and movies of the week at such studios as Warner Bros, Paramount Pictures, Sony Television, Showtime and Lifetime.

Mr. Fort has also worked as a UPM or Line Producer on numerous independent features with directors such as: Ken Loach, Christopher Coppola, Andy Fleming and Joe Dante.  He has worked in locations as diverse as Utah, Arizona, Missouri, Mississipi, New Mexico, Louisiana, Texas and North Carolina, and has developed an expertise in putting together budget scenarios for film financing packages.

Most recently Mr. Fort Line Produced THE COVER UP based on an infamous Iowa crime case and directed by Sundance winning director, Brian Jun, and Production Managed ACT OF VALOR for Legendary Pictures slated for release in 2011.  He recently Line Produced the teen action thriller, BIG BAD for Eye Vox Entertainment, and is currently prepping a psychological thriller titled CHAINED to be directed by Jennifer Lynch.

Mr. Fort is an alumnus of California State University of Fullerton, graduating with a degree in Communications, with an emphasis in TV & Film. He is a member of the Producer’s Guild of America.

Credits include: THE THACKER CASE, MARK BURNETTE’S GOLD RUSH, KISS KISS BANG BANG, WAITRESS, and LOVE SPRING.

Jenna Edwards- Producer

Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.

Soon after Edwards moved to Los Angeles she was hired by agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process. Before long she had moved from talent agencies to working in casting with such industry leaders as; Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Superbad, The Office).

During this time Edwards was also able to gain valuable production experience working with studios like Disney, MTV, FOX and CBS.

After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers and has since successfully produced 4 feature films as well as co-hosting the Film Method podcast and teaching producing classes at New York Film Academy.

After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they produced the first ever made-for-internet movie, In the Darkness, which premiered on Hulu.com. Mattoid has recently made the leap to distribution, where they have acquired three feature documentaries to be released in 2011.  The first, Adopting Haiti premiered as the #1 documentary on Hulu.com.

Aside from continuing to work at Mattoid, Jenna is busy working on budgets for several independent films, producing 2 feature films and developing projects for television as well as teaching producing at New York Film Academy.

Producing Sunflowers Website

Episode Twelve: Lining up the Producer

September 15, 2009 by cindy  
Filed under episodes

Episode12_photoThe role of the line producer can change depending on the size of the project and budget. All rumors will be put to rest during this podcast as Tim Ryder sets the record straight about what exactly a line producer does. Tim shares his experience working on successful television shows, webisodes, and independent films and he also shares his non-film industry experience that helped him to become the line producer extraordinaire that he is today.


itunes_button_sm

Read more

Soonami Productions